Monday, May 24, 2010

Benjamin Button Makeup!

Here's another paper I wrote for my makeup class, which also happened to be Academy Award-winning in the category of makeup!

Rebecca Rinker

Makeup

27 April 2010

Makeup Use in The Curious Case of Benjamin Button

The Curious Case of Benjamin Button is the tale of a man who ages backwards. He is born with a shriveled body, with all the problems associated with advanced age, and he gets younger as time goes on. Makeup and computer-generated visual FX take Benjamin from an eighty-year-old baby backward through life to a strapping twenty-something. The makeup is used in combination with the computer effects. For the extreme aging, a computer-generated head, modeled after the actor’s, takes the place of makeup effects, but from about age 65 and backward, heavy effects makeup turns forty-five-year-old actor Brad Pitt into the various ages of Benjamin.

The makeup is so effective because the changes are gradual rather than dramatic. Benjamin is shown at many age increments, and the changes in his appearance are slight between ages, but add up to huge differences. There are no circumstances where the viewer is too aware that they are seeing an actor aged with makeup, unless they stop to think about the famous actor on the screen who they know to be much younger.

For the prosthetics, the makeup artist used a flexible materiel on the forehead that would wrinkle and move naturally. It looks convincing, rather than created.

The computer-generated effects were used in the stages of advanced aging that are difficult to re-create with makeup effects. Benjamin’s face actually appears smaller and shriveled up.

The Curious Case of Benjamin Button pushed the envelope in terms of what could be done with blending computer and makeup effects. It is very hard to tell where the computer effects end and the makeup effects begin. The gradual changes in Benjamin’s appearance make the transitions believable, since people age slowly. Even though Benjamin ages backwards, the stages of aging are recognizable and make sense to the viewers. This film is an excellent example of makeup transforming the look of an entire film.


Starting Small!

I finally got an IMDB page!

Rebecca Faith Rinker - Internet Movie Database

Honest Abe will also be up there soon. I was a co-producer and additional makeup.

Wednesday, March 31, 2010

Termite TV project!

Here's the blog for a group project for Videography.


Check it out!!!

Tuesday, March 23, 2010

Film Fest Review! Derek Freese High School Film and Video Festival

Last Saturday, I attended the Derek Freese High School Film and Video Festival right here at Temple University. I've got to say I was surprised by two things: 1. There were very few Temple students actually there. Why???? 2. Some high school kids are REALLY talented.

Some highlights that stuck out to me:

"The Art of The Crime" was a beautiful documentary by Kaitlin Reilly and Emily Drucke about graffiti in New York City. The film did a wonderful job of showing both sides of the argument - is graffiti an art form or is it vandalism? It also showed the in-between, with youngsters taking a boring white wall and turning it into art, but not ever "tagging" someone's personal property. The whole film held together well-it had my attention the whole time and beautifully used appropriate cutaways during interviews. My own attempts at documentary are not even near as complete. Bravo, kids. Bravo.

The funniest one? "Dino-Utopia" by Blair Scott. Very simple plot: a boy tries to decide between playing with his dinosaurs and doing his calculus homework. Even that short description is hilarious. LOVED it.

"Bromance" by Will Wiggins and Lee Cortopassi was also hilarious. Whenever you make a music video and call it "Bromance" and it's made my high school boys, you have a recipe for fun.

"Trauma" by Torriano Johnson and Breaana Rodiguez was quite intense. It was a docu-drama about the effects of drunk driving. At first, I thought there was a mock-crash and some kid filmed it, but then it continued on. And the emotions were quite real. I'm pretty sure I shed a tear watching it. I, like many others, knew someone who was killed because of drunk driving, and it really hit me. What a way to send a powerful message!

The film that blew me away the most was "This Keeps Happening" by Drew Angle. (Click here to watch the entire 20-minute film on vimeo.) The images were absolutely beautiful. Very clear, wonderful colors, great composition. The acting was very well done, and the story was complex and emotional. It was about a suicidal man dealing with his love for his dead sister and the murder he just committed - his dead sister's husband. The man talks to himself - as another version of himself starts talking back. It blew my mind how a 16-18 year old could put something together like that when it's BETTER than a lot of college student films I had seen. Definitely my favorite of the night, and I can't wait for it to be online so I can see it again.

I don't want to make a comment on any of the experimentals, since I don't really understand the genre. And from what I DO understand, you can't critique it. It defies the rules, so how can you critique any of it using rules? I have to mention, though, that these high schoolers understand the genre a lot better than I do!

Best of luck to all the talented highschoolers who participated! I can't wait to see what they are doing five years from now!

(PS - I loved going to this festival, but this blog post is XC for videography class. Yay! :)

"Audition"


A company manager is holding auditions for a part in a ballet. The prospects do not look promising. She curtly dismisses the first girl... and several after. When "Number 18" auditions, it seems like all problems have been solved - until disaster strikes! The manager is left to cast another dancer, much against her will, and "Number 18" is left to face what she has lost.

Written and Directed by Rebecca Faith Rinker

Company Manager – Starleisha Michelle Gingrich

Number 1 – Ashley Neff

Number 18 – Liz Vansant

Marie Fiori – Daniela Fiorentino

Grip – Tim Bean

Music by Sean Reynolds

Special Thanks to –

Acclamation Dance Ministry

Ashley Joya Morgan

Reid Perkins-Buzo